Long Reads

Even for a band as restless and creative as Everything Everything, their latest album – the intriguingly titled ‘Raw Data Feel’ – is a huge leap forward, fusing AI-driven experiments, organic sounds and thrilling pop moments

Beyond his work with Ultravox and Visage, Billy Currie has enjoyed a long career as an artist in his own right, with 11 solo albums to his name. And it all started when he was left alone with an oscillator belonging to psychedelic warlords Hawkwind…

She has played synthpop with Saloon and folk rock with The Left Outsides, but Alison Cotton‘s new solo album enters more experimental territory, evoking the beautifully bleak heritage of her native North East

When Andrew Weatherall died in February 2020, one phrase became a parting mantra for many who were mourning on social media – “Fail we may, sail we must”.

All shuddering bass, eclectic sonics and playful, avant-punk intensity, ‘Nothing To Declare’ by 700 Bliss – aka DJ Haram and Moor Mother – is a blistering statement of intent, elevating electronic music and hip hop to thrilling new heights

French trio Zombie Zombie take an unexpected leap of faith on their new album, a “reverberated doom orgy” that fuses Latin and choral arrangements with fizzing analogue synths and vocoders

Take I Monster’s electronic veteran Dean Honer, gradually introduce soulful folkie Kevin Pearce, and heat gently over a Bunsen burner. The result? The Sound Of Science – a successful bonding and a new album of scientific delights

In this final UK interview before his recent passing, the hugely influential German electronicist Klaus Schulze reflects on his time with Tangerine Dream and Ash Ra Tempel and discusses the lingering influence of the sci-fi classic ‘Dune’ – as heard on his new album, ‘Deus Arrakis’