Long Reads

With releases from the likes of Polypores and Concretism, Castles In Space is one of the UK’s most essential independent labels. And it all started in the unlikely setting of the bar at Barrow Association Football Club

Forty years on from their synthpop masterpiece ‘Freedom Of Choice’, Devo’s Jerry Casale and Mark Mothersbaugh reflect on a record made for 1980 whose dire warnings are more relevant today than ever 

Reaching for fresh heights with ’Inner Song’, Kelly Lee Owens mixes skilfully crafted lyricism and techno-tinged synthpop on one of the best albums you’ll hear this year

In his autobiography, ‘Remain In Love’, Talking Heads and Tom Tom Club founder Chris Frantz recounts a life of being propelled around the world by art and rock ’n’ roll and insists “it wasn’t all conflict”

Electroacoustic musician Beatriz Ferreyra, who has been composing since the 1960s and still works every day in her home studio in France, talks about walking out on Stockhausen, recording in stairwells, and her fascinating new album ‘Huellas Entreveradas’ 

Luke Vibert has reanimated his Amen Andrews jungle alias for one of a trio of essential future-retro releases this summer. Join us for stories galore, including the one about how Aphex Twin helped him pay his tax bill

He grew up in Sheffield with Cabaret Voltaire and The Human League ringing in his ears. He started out signed to a Warp offshoot label. He made videos for Aphex Twin and Nightmares On Wax. And now, with a brilliant debut album from his new band JARV IS…, the electronic evolution of Jarvis Cocker is complete

From Fuerteventura to the Kent coast, from having a baby to her new album ‘In This Moment’, Polly Scattergood hasn’t exactly been sitting on her hands in the seven years since her last solo release

Created entirely on an ultra-rare EMS Synthi 100, Soulwax have made the mythical instrument sound like you’ve never heard it before. But then you’d expect nothing less from the ever-inventive Stephen and David Dewaele

Sam Eastgate reveals how paranoid lizards and an addiction to moss, as well as a homemade “human drum machine” called GENE, have all fed into his latest LA Priest record