Landmarks

A Top Five smash hit in 1979, The Flying Lizards’ ‘Money’ is a song that stands out in a crowd. Head Lizard David Cunningham tells the tale of its making

Together’s Suddi Raval explains how being a HaÇienda regular led to rave juggernaught ‘Hardcore Uproar’

Scott Simon of Our Daughter’s Wedding recalls the heady early 80s days that sired their electropop classic ‘Lawnchairs’

Sigue Sigue Sputnik founder Tony James casts his mind back to 1986 and ‘Love Missile F1-11’, a record that sounded – and still sounds – like nothing else

Rick Foster recalls the making of Chicory Tip’s 1972 hit ‘Son Of My Father’, the first UK Number One record to feature a synthesiser as the lead instrument

Robin Scott remembers the genesis of ‘Pop Muzik’, his huge worldwide hit as M in 1979. New York, London, Paris, Munich, everybody talk about…

‘Runaway Train’, a stark live recording of radio communication between the driver of derailing Canadian train and his controller, appeared on vinyl in 1993, uncredited on the Ash International label. It was of course an early Scanner release. Robin Rimbaud talks us through the extraordinary release…

Synth master Richard Barbieri remembers the heady days of 1980 and gives us the full skinny on Japan’s first single for Virgin Records

Looking back through the mists of time to 1980, Andy Mccluskey talks us through the making of OMD’s smash hit single. Synths out of a catalogue, a scandal with ‘Swap Shop’, Airfix models – it’s a tale that’s got it all

You might know ‘(We Don’t Need This) Fascist Groove Thang’ as a Heaven 17 song, but it started life as ‘Groove Thang’, an instrumental on BEF’s cassette-only debut, ‘Music For Stowaways’. Martyn Ware explains how the track liberated him from The Human League’s synth-only policy and helped him uncover a very rare talent