Man Parrish ‘Hip Hop, Be Bop (Don’t Stop)’
Man Parrish tells the blistering story behind his futuristic and uncompromising 1982 floorfiller ‘Hip Hop, Be Bop (Don’t Stop)’ – barks and all
Robert Hood ‘Rhythm Of Vision’
Robert Hood’s 1994 album ‘Minimal Nation’ stripped techno back to its vital organs, marking the birth of an entirely new way to feel a genre. The Detroiter reveals the story behind one of its standout moments, ‘Rhythm Of Vision’
Martha And The Muffins ‘Echo Beach’
Singer Martha Johnson and songwriter Mark Gane of Martha And The Muffins discuss the making of their influential 1980 new wave classic, ‘Echo Beach’
Peter Howell ‘Through A Glass Darkly’
In 1977, the BBC Radiophonic Workshop’s Peter Howell recorded ‘Through A Glass Darkly’, a stunning album of synth-heavy prog rock. The jewel in the crown? ‘A Lyrical Adventure’, the 19-minute epic sprawling across the entirety of Side One
Chris and Cosey ‘October (Love Song)’
Chris Carter and Cosey Fanni Tutti look back on ‘October (Love Song)’, a track they made in 1983 to document the dawn of their love affair
Gavin Bryars ‘The Sinking Of The Titanic’
As the inaugural release on Brian Eno’s Obscure imprint, ‘The Sinking Of The Titanic’ has inspired generations of artists and listeners alike. Yorkshire composer Gavin Bryars reveals how he penned, or rather, “put together” this iconic composition
James Holden ‘Bania’
James Holden, DJ, producer and Border Community boss, describes the making of ‘Bania’, a modular synth mashup with traditional Moroccan singers that changed the course of his life
Andy Oppenheimer ‘The Devil’s Dancers’
Andy Oppenheimer of Oppenheimer Analysis recalls the creation of their self-released 1982 synthpop gem ‘The Devil’s Dancers’, which became a cult classic and dancefloor favourite when it was reissued on Veronica Vasicka’s Minimal Wave label
Tim Dorney ‘Weekender’
Flowered Up keyboard player Tim Dorney discusses the evolution and impact of the titanic ‘Weekender’, the band’s 1992 post-rave anthem
Timothy London ‘Hippychick’
Soho’s Timothy London reflects on their 1990 hit, ‘Hippychick’, which fuses the central riff from The Smiths’ ‘How Soon Is Now?’ to a Soul II Soul beat