0
Shares
0
0
0

Somewhere in the mid-point between electronic, ambient and classical, composer Hinako Omori creates potent “therapeutic frequencies”. Deploying analogue synths and binaural sound, her second long-player is  an experimental and deeply enchanting patchwork

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 8 minute read

Miki Yui: Deep Listening

Miki Yui has produced a beguiling body of work rooted in elemental electronics and field recordings. She describes being shaped by the art and music of Düsseldorf, the influence of her late husband Klaus Dinger, and her recent conversion to modular synths
LLong Reads
Read More
  • 9 minute read

Polypores: Preston North Beginning

We visit Preston to meet Polypores and friends to talk Brutalist bus stations, Bob Moog, napping at gigs and, most importantly, how the city has nurtured a burgeoning electronic and experimental music scene
LLong Reads
Read More
  • 9 minute read

Severed Heads: Fast Forward

While he might be curating an online archive for his maverick Severed Heads outfit, Tom Ellard is not a man to rest on his laurels. “Don’t you want to jump full-bodied into the future?” he asks
LLong Reads
Read More
  • 4 minute read

Rainy Miller: Grim Tales

Steeped in “northern gothic” atmospheres, Rainy Miller’s genre-blurring new album is bleak yet gripping, reflecting the huge emotional impact of a chance encounter
LLong Reads
Read More
  • 9 minute read

Jo Johnson: This Year’s Grrrl

Inspired by the likes of Laurie Spiegel, Delia Derbyshire and Éliane Radigue, electronic minimalist Jo Johnson creates slow-burning sounds that shimmer with emotion and quiet intensity