0
Shares
0
0
0

From wartime bombings to the creaking of tree bark, Janet Beat  has always been fascinated by sound. Now in her 80s, this contemporary of Daphne Oram and Delia Derbyshire is finally  being recognised for her pioneering electronic work

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 9 minute read

Barry Adamson: The Outsider’s Outsider

From his days as the bass player in Magazine, to conjuring up imaginary soundtracks, to directing films in his own right, Barry Adamson talks us through an extraordinary career. And with a new solo album, ‘Know Where To Run’, he shows little sign of letting up
LLong Reads
Read More
  • 6 minute read

Radiophonic Workshop: Doctors of Radio Phonics

With an almighty album of analogue improvisations spread over four 10-inch vinyl discs about to remind the world that Radiophonic Workshop’s influence on electronic music is immeasurable, we meet them to find out how the old days shaped the future
LLong Reads
Read More
  • 8 minute read

Ryuichi Sakamoto: Magic Touch

Yellow Magic Orchestra co-founder, ardent sonic adventurer, soundtrack maestro… following his recent passing at the age of 71, we reflect on the remarkable 45-year career of revered Japanese composer Ryuichi Sakamoto
LLong Reads
Read More
  • 11 minute read

A Certain Ratio: ACR CAR MCR

With their back catalogue being lovingly reissued via Mute, we pile into a car for a guided tour of the Manchester hotspots that shaped the influential sound of A Certain Ratio… fasten your seatbelts