For her latest solo work, the mesmeric ‘Let’s Turn It Into Sound’, American modular synthesist Kaitlyn Aurelia Smith explores complex emotions and communication, manipulating her voice into wordless entities. What she didn’t expect was that they’d start talking back…

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Kim Gordon 

In which the ice-cool alt-rock queen serves up a new album packed with electronic tricks. ‘No Home Record’ also happens to be her solo long-playing debut.
Read More

Gary Numan: Up Close & Personal

Catching him backstage before one of his recent London shows, we enjoy a free-ranging and sometimes painfully honest conversation with Gary Numan, taking in his past, his present and his future. We discuss recordings old and new, his darkest lows and his wildest highs, love and marriage and the kids, his hopes and fears for the years to come, and a whole lot more besides…
Read More

Nightmares On Wax: Freedom Of Speech

On ‘Shout Out! To Freedom…’, the latest musical adventure from Nightmares On Wax, George Evelyn explores the human spirit’s need for liberty. The process led to deep conversations with both others and himself 
Read More

Morton Subotnick: Quantum Bleep

Morton Subotnick’s 1967 album ‘Silver Apples Of The Moon’ is an experience of pure electronic music – or “new new music”, as Subotnick puts it. It was created solely on the Buchla, the modular synth he commissioned as an “easel” for creating the kind of studio art sounds he had in mind