0
Shares
0
0
0

Having moved from their native Minsk to LA, the fourth album from Belarusian post-punk/synthpop outfit Molchat Doma also marks an expansive and propulsive “technicolour reinvention” of their sound. Taut, moody, imposing and typically brutalist, it’s one heck of a gut punch

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 5 minute read

Faithful Johannes: Yours Faithfully

Faithful Johannes? The Alan Bennett of hip hop. Sir John Betjemen with beats. And weighing on his mind at the moment are life-threatening lawns, river monsters called Tony and the “icky” thoughts that have inspired an album riddled with very English anxieties 
LLong Reads
Read More
  • 11 minute read

Amon Tobin: Mixing Concrète

Eight years after the mind-melting experience that was ‘ISAM’, Amon Tobin returns with ‘Fear In A Handful Of Dust’, another masterful and opaque work of exquisite sound design and strange beauty. Is this neo-musique concrète?
LLong Reads
Read More
  • 12 minute read

Thomas Leer and Robert Rental: Bedroom Bedlam

They pooled their gear to record their first singles, which they then released on their own labels. Thomas Leer and Robert Rental, old friends from the town of port Glasgow on the Clyde, were the original bedroom producers and key players in the nascent diy electronic scene of the late 1970s. And they didn’t own a single synth between them
LLong Reads
Read More
  • 8 minute read

Dan Tombs: Vision On

Have you ever been to a live show and wondered where, as if by magic, the images and graphics and fancy lights come from? If you’ve seen Jon Hopkins or Blanck Mass this summer, you’ve been wowed by visual artist Dan Tombs