After overcoming immense challenges during its gestation, the second album from London producer Nabihah Iqbal – the left-field, intimate and gloriously melancholic ‘Dreamer’ – is an unequivocal triumph over adversity

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Sleaford Mods: X-Cess All Areas

Sleaford Mods return with their most ambitious, sharp-tongued set yet, AS ‘The Demise Of Planet X’ cranks up fury and vivid sonics into a caustic portrait of cultural freefall and catharsis. They’re loud, angry and utterly irresistible
Read More

Gemma Cullingford: Vox Humana

Sink Ya Teeth bassist Gemma Cullingford has found her voice and is stepping into the spotlight with a solo album of electronic songs about love, death and getting the boiler mended
Read More

Gary Numan: Down To Earth

Gary Numan on the paranoia of parenting, the fear of death, and a planet that may regard humanity as a virus – which just so happens to be the subject of his album, ‘Intruder’
Read More

Karl Bartos: Nothing Is Real

Karl Bartos discusses his soundtrack for the expressionist shocker ‘The Cabinet Of Dr Caligari’, a film set in the 19th century, first released in 1920, and now reissued more than 100 years later
Read More

The Prodigy: The Sound And The Fury

Marking 25 years at the coalface, ‘The Day Is My Enemy’ is The Prodigy’s first album since 2009’s ‘Invaders Must Die’ and finds them at their raging best. In this exclusive piece for Electronic Sound, the band’s official biographer takes us inside the camp with a personal account of his unfolding friendship with Liam Howlett and talks to the producer about the fury that remains at the heart of his sound