0
Shares
0
0
0

As an early adopter of the iconic Fairlight CMI digital workstation in the early 1980s, pioneering musician and producer Thomas Dolby is no stranger to technological advancement. He reflects on a career full of innovation and muses on how the future of sound may benefit us all

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 5 minute read

Simon Reynolds: Tomorrow’s World

From Kraftwerk to Auto-Tune via a range of scenes, subcultures, technologies and sci-fi backdrops, Simon Reynolds’ latest book ‘Futuromania’ looks at the impact of “machine music” from the 1970s to the present day
LLong Reads
Read More
  • 7 minute read

Steve Cobby: One-Man Band

From The Shedio, his Kingston-Upon-Hull home studio, Steve Cobby runs a cottage industry that, via his own Declassé imprint, pings near-perfect musical salvos into the world with a very pleasing regularity
LLong Reads
Read More
  • 8 minute read

Boris Hauf: We Hauf Lift Off

As an in-demand composer, producer and label owner, Boris Hauf is always spinning plates. His CLARK project is a sci-fi space adventure, mixing technoid sounds with unbridled experimentation. “I’m all over the place,” he proudly declares 
LLong Reads
Read More
  • 19 minute read

Laibach: Ruffling Feathers

A band? An art project? A secret cabal of political provocateurs? Going about their subversive business for more than four decades, everything that this unique Slovenian collective does comes as a surprise. Absolutely everything. Brace yourselves as we are granted an audience with the entity that is Laibach