0
Shares
0
0
0

As an early adopter of the iconic Fairlight CMI digital workstation in the early 1980s, pioneering musician and producer Thomas Dolby is no stranger to technological advancement. He reflects on a career full of innovation and muses on how the future of sound may benefit us all

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 9 minute read

Gnod: And A Wink

Operating in various guises since 2006, Gnod‘s latest album, ‘Hexen Valley’, is inspired by the Yorkshire town of Hebden Bridge. It sees them channelling psych, electronics, noise, drone and even a bit of Lou Reed, to rousing effect
LLong Reads
Read More
  • 9 minute read

Clint Mansell: Over The Moon

Soundtracking low-budget British film ‘Moon’ was an experience that combined Clint Mansell’s love of Bowie, modern morality and a lifetime of sci-fi into one of his most meaningful projects. The composer tells us how science fiction offers a mirror to mankind
LLong Reads
Read More
  • 9 minute read

Krautrock: In Full Flow

Musician and author Wolfgang Seidel was a fly-on-the-wall observer during krautrock’s peak. In his new book, ‘Krautrock Eruption’, he argues that the genre was rooted in the German working class, before Berlin’s countercultural scene of psych, jazz and electronics elevated it to stratospheric realms