As UNE, BBC Radio DJ Mark Radcliffe and beats-obsessed boffin Paul Langley pay homage to the war memorials of the former Yugoslavia with their third album, ‘Spomenik’

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Suicide: Dream Baby Dream

Myth and legend are never more than a step away from Suicide. In a new book by our very own Kris Needs, ‘Dream Baby Dream — Suicide, A New York Story’, Alan Vega and Martin Rev reveal the inside line on their extraordinary career. With this exclusive extract, we’re treated to the gobsmacking first-hand recollections of the recording sessions that lead to their startling 1977 eponymous debut album
Read More

Marie Davidson: Clowning Around

Loaded with epic synth action and co-produced by Soulwax, the latest offering from Canadian producer Marie Davidson is blisteringly good – clubby, punchy, and quite possibly her finest yet
Read More

In The Nursery: The History Men

Since 1981, In The Nursery’s cinematic soundscapes have evolved in fascinating ways, yet remained timeless. Their latest album is a deeply personal and beautifully orchestrated journey into their family history – and is perhaps the duo’s finest work to date
Read More

Leon Vynehall: More More More

A cornucopia of artistic influences, Leon Vynehall makes music that’s sweeping in cultural scale and ambition. He talks about his new album ‘Rare, Forever’ and the experiences that have shaped it
Read More

Schneider Kacirek: Voltage Controlled Africa

Stefan Schneider and Sven Kacirek have crafted a unique electronic album based on a series of field recordings taken in some of the most remote parts of Kenya. Get set for the opulent synth tones and African-influenced rhythms of Schneider Kacirek’s ’Shadows Documents’  
Read More

Karl Bartos: Phone Ohm

The rise of tech and how we use it to communicate is the central focus of Karl Bartos’ debut solo album from 2003. We connect with the former Kraftwerker to talk about the welcome reissue of the record