Dark Sparkler’s Kyle Swisher, on the first and last albums he bought and the one he turns to in an emergency
FIRST
![](https://electronicsound.co.uk/wp-content/uploads/2022/09/Janet-Jackson.jpeg)
Janet Jackson
‘Rhythm Nation 1814’
(A&M, 1989)
“I was five and we’d just got cable when this album came out. Janet Jackson’s videos were on MTV all the time so my mom bought us the cassette. With a single coming out every few months, it felt like I lived with this album for two years straight. I’ve recently started to really appreciate the production. I love how tracks are a minute or two longer than they should be. Dance breaks were so important then.”
LAST
![](https://electronicsound.co.uk/wp-content/uploads/2022/09/Fiueroa-1024x1024-1-1024x1024.jpeg)
Figueroa
‘The World As We Know It’
(Nomark, 2020)
“This became the album of the summer for me, even though summer 2020 was basically non-existent. I was intrigued by it being an acoustic-folk-psych-rock album that was made entirely of programmed MIDI tracks. I was blown away with how authentic it sounded, the song writing is incredible! I think Amon made the best guitar album of the year, and he should be on the cover of Guitar Magazine.”
ALWAYS
![](https://electronicsound.co.uk/wp-content/uploads/2022/09/MBV-1024x1024-1-1024x1024.jpeg)
My Bloody Valentine
‘Loveless’
(Creation, 1991)
“I was in my late teens when I was introduced to ‘Loveless’. It broke apart and subverted key structures of pop music songwriting, and became very important to me. It initially influenced me as a guitar player, but its repetition, sweet melodies, and dense timbres that push past the point of harsh into bliss also made an impact on the electronic music I make today.”