Kim Gordon: Only Connect
Kim Gordon made her name with US rock giants Sonic Youth, but her second solo album ‘The Collective’ continues her intriguing exploration of fractured hip hop beats and “abstract poetry fucked-up shit”
Lost Souls Of Saturn: Alternate Realities
As “multidimensional creative dissidents” Lost Souls Of Saturn, Seth Troxler and Phil Moffa fuse elements of techno, dub, house, jazz, psych and ambient into vivid and expansive new shapes. Enhanced by augmented reality, it’s quite the trip
Paranoid London: Punk Attitude
On their prog house-inspired new album ‘Arseholes, Liars And Electronic Pioneers’, provocative electronic duo Paranoid London are as anarchic, unfiltered and gloriously engaging as ever
Rusty Egan: Mixing It Up
Stationed behind the decks, Rusty Egan made the Blitz club tick and was pivotal to the electronic and new romantic cause. With a definitive Blitz boxset incoming – curated by the man himself – he regales us with colourful tales of Kraftwerk, globetrotting and his late-career rebirth
Woo: A Room With A Woo
Since the early 1970s, brothers Mark and Clive Ives have been recording as Woo – arguably the UK’s most prolific DIY outfit. Two new albums, ‘Robot X’ and ‘Xylophonics’, raid their vast archive. And it all began with Uncle Fred’s musical saw
Stone-Cold, Floor-Slamming
More random musings from Fat Roland. On his mind this month (as far as we can tell) are “bangers”
William Doyle: High Hopes
Shortlisted for a Mercury Prize under his previous guise as East India Youth, William Doyle has evolved into a scintillating solo artist. His new Eno-assisted album ‘Springs Eternal’ – steeped in ambitious and dreamy art-pop – is arguably his finest work yet
Bill Nelson’s Red Noise
Sweeping the world’s forgotten corridors of music, Scott Blixen sets his sights on Bill Nelson’s Red Noise
Squarepusher ‘Dostrotime’ (Warp)
Shape Shifting
Robert Hood ‘Rhythm Of Vision’
Robert Hood’s 1994 album ‘Minimal Nation’ stripped techno back to its vital organs, marking the birth of an entirely new way to feel a genre. The Detroiter reveals the story behind one of its standout moments, ‘Rhythm Of Vision’