Producer Daniel Avery, Ghost Culture’s James Greenwood and Working Men’s Club frontman Syd Minsky-Sargeant join forces as Demise Of Love – a synth-powered supergroup with a dark heart

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Woo: A Room With A Woo

Since the early 1970s, brothers Mark and Clive Ives have been recording as Woo – arguably the UK’s most prolific DIY outfit. Two new albums, ‘Robot X’ and ‘Xylophonics’, raid their vast archive. And it all began with Uncle Fred’s musical saw 
Read More

Gary Numan: Telekonesis

Released in 1980, Gary Numan’s ‘Telekon’ album wasn’t just a stark, futuristic landmark of electronic music – it was the sound of a young man grappling with sudden, overwhelming fame
Read More

Reed & Caroline: Space Oddity

An album of delicate synthpop? Just a female voice and a Buchla synth? Songs about space, washing machines, worms and electrons? Signed to Vince Clarke’s new record label? What’s not to like about Reed & Caroline?
Read More

The Home Current: Current Affairs

Releasing a mere seven albums in the last 18 months, what has made Danish DJ/producer Martin Jensen – aka The Home Current – such an unstoppable force? Among the unlikely answers are Brexit and birdwatching 
Read More

Rusty Egan: Mixing It Up

Stationed behind the decks, Rusty Egan made the Blitz club tick and was pivotal to the electronic and new romantic cause. With a definitive Blitz boxset incoming – curated by the man himself – he regales us with colourful tales of Kraftwerk, globetrotting and his late-career rebirth
Read More

700 Bliss: Live Wires

All shuddering bass, eclectic sonics and playful, avant-punk intensity, ‘Nothing To Declare’ by 700 Bliss – aka DJ Haram and Moor Mother – is a blistering statement of intent, elevating electronic music and hip hop to thrilling new heights