Paranoid London: Punk Attitude
On their prog house-inspired new album ‘Arseholes, Liars And Electronic Pioneers’, provocative electronic duo Paranoid London are as anarchic, unfiltered and gloriously engaging as ever
Rusty Egan: Mixing It Up
Stationed behind the decks, Rusty Egan made the Blitz club tick and was pivotal to the electronic and new romantic cause. With a definitive Blitz boxset incoming – curated by the man himself – he regales us with colourful tales of Kraftwerk, globetrotting and his late-career rebirth
Woo: A Room With A Woo
Since the early 1970s, brothers Mark and Clive Ives have been recording as Woo – arguably the UK’s most prolific DIY outfit. Two new albums, ‘Robot X’ and ‘Xylophonics’, raid their vast archive. And it all began with Uncle Fred’s musical saw
William Doyle: High Hopes
Shortlisted for a Mercury Prize under his previous guise as East India Youth, William Doyle has evolved into a scintillating solo artist. His new Eno-assisted album ‘Springs Eternal’ – steeped in ambitious and dreamy art-pop – is arguably his finest work yet
Don Dorsey ‘Bachbusters’ (Telarc, 1985)
Back in April 2012, at Walt Disney World in Orlando, Florida, my two young daughters – then aged four and five – were watching the Electrical Water Pageant float past. Transfixed by its colourful show of lights, they genuinely believed it to be the work of pure magic.
Robert Hood ‘Rhythm Of Vision’
Robert Hood’s 1994 album ‘Minimal Nation’ stripped techno back to its vital organs, marking the birth of an entirely new way to feel a genre. The Detroiter reveals the story behind one of its standout moments, ‘Rhythm Of Vision’
Throbbing Gristle at Butler’s Wharf (December, 1979)
Writer and zine-machine David Elliott reflects on the immersive and life-changing experience of seeing Throbbing Gristle play live at Butler’s Wharf in December 1979
Matthew Barnes – aka Forest Swords
On his latest album, ‘Bolted’, the distinctive “sonic vocabulary” of producer Matthew Barnes – aka Forest Swords – feels more expansive than ever. Given his wide-ranging influences, it’s no surprise
Blitz Club: Frills And Spills
Our oral history of the fabled nightspot taps into the memories and wild stories – subversiveness, fisticuffs, the night David Bowie turned up – of the Blitz Kids who were there
Kim Gordon: Only Connect
Kim Gordon made her name with US rock giants Sonic Youth, but her second solo album ‘The Collective’ continues her intriguing exploration of fractured hip hop beats and “abstract poetry fucked-up shit”