Features

After overcoming immense challenges during its gestation, the second album from London producer Nabihah Iqbal – the left-field, intimate and gloriously melancholic ‘Dreamer’ – is an unequivocal triumph over adversity

Gilroy Mere is Oliver Cherer, a man with a fondness for oddness. He’s just released ‘Gilden Gate’, his third album for Clay Pipe, and it’s a moody celebration of a place that no longer exists

With guest appearances by Clark and Wizard Apprentice, Nathan Fake’s latest release is a euphoric rush of techno, house and even jungle hues. Get thee to a dancefloor!

Australian producer and ethereal soundscaper Penelope Trappes returns with the haunting ‘Heavenly Spheres’. Using just her voice, an upright piano and an old reel-to-reel, it’s a remarkable record steeped in phantasmal atmospherics and hypnagogic strangeness

Yellow Magic Orchestra co-founder, ardent sonic adventurer, soundtrack maestro… following his recent passing at the age of 71, we reflect on the remarkable 45-year career of revered Japanese composer Ryuichi Sakamoto

Ron and Russell Mael talk about Veronica Lake, North Korean military pageantry and their expanding collection of trainers and snow globes. Oh, and their 25th studio album, ‘The Girl Is Crying In Her Latte’. Yes, it’s just another day in the strange and beautiful world of Sparks

Kraftwerk, motorik beats, New York synthcore, free jazz and lashings of psych. Deeply and thrillingly eclectic, the new album from Arizona duo Trees Speak is one heck of a sonic brew