Universal Harmonies & Frequencies: Making Waves
As Universal Harmonies & Frequencies, Hieroglyphic Being and Jerzy Maczyn´ski have delivered a soul-enriching electro-jazz record – a celestial fusion of synth, sax and mystical futurism
Fever Ray: Free Radical
Always striving to challenge the status quo, Swedish enigma and visionary Karin Dreijer does things very much on their own terms, artistically and musically. Here, they open up on electropop experimentation, identity politics and the “visceral confection” that is Fever Ray
David Holmes: Back In The Saddle
Big-name DJ, go-to producer, award-winning soundtrack artist… David Holmes needs no introduction. And his first solo album for 15 years – the blistering, euphoric and exquisitely crafted ‘Blind On A Galloping Horse’ – is an absolute pearler
Ambient: From A To Zzzzz
A curated snapshot rather than a definitive list, welcome to our alphabetical deep dive into the atmospheric and immersive world of ambient music. From key artists to strange concepts and beyond, prepare to see ambient in a whole new light
Ambient: An Introduction
From Debussy to Brian Eno, The Orb to Burial, the foundations of ambient are rooted in esoteric, unconventional and often surprising forms and sounds
Ambient: Dream State
How do you define ambient music? What’s the role of ambient today? And how might it sound in the future? We put these questions and others to our esteemed panel of ambient artists
Aho Ssan: Root Cause
French producer Aho Ssan makes stunning experimental music, drawing a host of zeitgeisty contributors into his orbit. No wonder his new work ‘Rhizomes’ reads like a who’s who of contemporary underground electronica
Elizabeth Parker: Singing In The Wires
Elizabeth Parker was a BBC Radiophonic Workshop mainstay and one of Britain’s most in-demand composers of TV and film soundtracks. A new compilation, ‘Future Perfect’, gathers together previously unheard pieces from her own private archive. Expect ghostly nuns and clunky scaffolding
Soft Cell: Cell Shock
With ‘Non-Stop Erotic Cabaret’, their hugely influential 1981 debut album, Soft Cell brought sleazy lyrics and shady but infectious synth anthems to the mainstream. Marc Almond and Dave Ball reflect on art-school aesthetics, punk electronics, and the controversies that fuelled their speedy rise
Shackleton: Most Haunted
Shackleton’s stock has never been higher. In a rare interview, the sound designer and arch-collaborator opens up on his gloriously hypnotic new album, a disorientating miasma of woozy hauntology and “cracked-mirror oddness”