Always striving to challenge the status quo, Swedish enigma and visionary Karin Dreijer does things very much on their own terms, artistically and musically. Here, they open up on electropop experimentation, identity politics and the “visceral confection” that is Fever Ray

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Maria Uzor: Deep Cuts

Eclectic and esoteric, pinging from Aphex-esque techno to Zapp-style funk, the debut solo record from former Sink Ya Teeth vocalist Maria Uzor is an irrepressible statement of intent
Read More

Sleaford Mods: Close To The Bone

Taking aim at hypocrisy, inequality and apathy, the sharp tongue and infectious grooves of the Sleaford Mods album ‘Spare Ribs’ is a proper vitriolic soundtrack for our dystopian times
Read More

Tangerine Dream: Dream Factory

When Edgar Froese changed cosmic address in 2015, you’d be forgiven for thinking that Tangerine Dream would follow suit. But working from his extensive archive of recordings, a new school of composers is keeping his flame very much alive
Read More

Gary Numan: Numania!

Three nights of Gary Numan? Yes please. Three nights of Gary Numan performing first ‘Replicas’, then ‘The Pleasure Principle’, then Telekon’? Yes please with great big knobs on
Read More

Erland Cooper: Going Underground

Back in 2021, Scottish composer Erland Cooper buried a tape on the island of Orkney, allowing the music on it to be manipulated and “co-composed” by the soil. Unearthing it a few months ago after three years of natural decay, the resulting sounds are remarkable – as is the story of this project