Long Reads

Academic proclamations, a virus-free voice instrument and a sci-fi aesthetic. ‘AAI’, the new album from Mouse On Mars, is just the sort of extreme boundary-pushing we’ve come to expect from one of electronic music’s most innovative duos

Unashamedly pop for pop’s sake, ‘Flock’ is the album that songwriter, composer and “sound carrier” Jane Weaver has always wanted to make

When Clay Pipe Music celebrated 10 years of releasing electronica with a distinct connection to place, founder Frances Castle took a wistful ramble through the winding country lanes of a label with a beguilingly calm appeal

Slightly odd and very groovy Belgian synthpoppers Telex are getting ready for a renaissance. Having enjoyed their first success in the late 1970s, they are digging into their back catalogue to reissue a collection of their many highlights. And no one is more surprised than the group themselves

Ambient kingpins A Winged Victory For The Sullen talk us through the making of their epic soundtrack for the acclaimed ‘Invisible Cities’ multimedia theatre production

Taking aim at hypocrisy, inequality and apathy, the sharp tongue and infectious grooves of the Sleaford Mods album ‘Spare Ribs’ is a proper vitriolic soundtrack for our dystopian times

Colossus of the Swedish electronic scene. Artist, filmmaker and all-round legend in his own lifetime. Ralph Lundsten‘s musical output throughout his decades-long career has been prodigious. And he has done it all in some style

If you were a teenager in the 1980s, Malcolm Garrett’s iconic record covers most probably crazy-paved your bedroom floor. Inspired by a love for electronic music and a hefty dose of early punk, his revolutionary design ideas reverberate to this day

He performs in a horned mask. His new album is called ‘False’ and it features collaborations with 14 artists who may or may not exist. He wants to train other musicians to play his gigs for him. Welcome to the strange reality of Lambert

Beautify Junkyards bring a Portuguese perspective to Ghost Box’s retro-futurist aesthetic. Frontman João Branco Kyron discusses Portugal’s 1974 military uprising, his love of British  acid folk, and disturbing spectral voice recordings