Long Reads

Sound specialists who create subtle aural worlds that you might not notice if you weren’t listening for them, the work of the London-based Coda To Coda adorns TV shows, feature films, documentaries and exhibitions, including their inventive soundscape for The Science Museums’ ‘Robots’ show

ABBA may well be best known as Sweden’s worst-dressed but best-selling exporters of the 1970s, but Benny Andersson was also a bona fide synth pioneer. Don’t believe us? Read on…

David Stubbs puts on his ear protectors and picks out 10 crucial releases that no industrial music collection can be complete without

‘Industrial accident: the story of Wax Trax! Records’ is a forthcoming documentary about… wait for it… Wax Trax! Records. It’s the story of one of the most exciting labels ever, an imprint that lodged its idiosyncratic brand of dark ‘n’ dirty electronic music deep into the American heartland

Their new album, ‘Home Counties’, not only celebrates the leafy commuter belt burbs of their formative years, it also sees Saint Etienne getting back into the electronic groove of their prime

After four decades at the coalface, New Order remain one of the coolest and hottest bands on the planet. How do you pull off a trick like that? In an exclusive interview, we talk to frontman Bernard Sumner about the group’s incredible staying power and their tireless push for perpetual forward motion

Mark Reeder is one of the many intriguing characters to have emerged from the outrageously fertile Manchester music scene of the late 1970s. Here he talks about New Order, his life in berlin, the art of the remix

With an almighty album of analogue improvisations spread over four 10-inch vinyl discs about to remind the world that Radiophonic Workshop’s influence on electronic music is immeasurable, we meet them to find out how the old days shaped the future

In March, they played their biggest-ever headline show in front of 10,000 people at London’s Alexandra Palace. Entitled ‘The Surreal Carnival Experiment’, it blew the doors off any ideas of what a live show should be. But what did you expect? This is Underworld after all

Arab Strap’s Aiden Moffat retires his L Pierre side project with a fourth album, a vinyl-only release with no sleeve that samples a 1948 Mendelssohn concerto…