Down To Earth

How do you make music from shifting tectonic plates? We ask Stuart Hyatt, whose latest Field Works album redefines the meaning of rock music

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Walt Disco: The Rebel Alliance

It’s already been a hell of a year for Glaswegian art rockers Walt Disco. The band have enjoyed a rapturous reception as tour support with OMD and released a new album, ‘The Warping’, combining the anthemic with the deeply personal 
Read More

Hattie Cooke: Hit or Bliss

Entirely in keeping with the frank, confessional pop gems populating her imminent new album, ‘Bliss Land’, a chat with Hattie Cooke proves to be a no holds barred event. Roll up, roll up…
Read More

Richard Sen: Richard The First

The debut solo album from revered DJ and producer Richard Sen is a collection of questing cosmic house and disco that explores his ancestral roots and cements his reputation as a creative polymath. Strap in for one heck of a backstory…
Read More

Wolfgang Tillmans: In The Frame

Not only is Wolfgang Tillmans an award-winning photographer, he’s a pretty nifty electronic artist too, as his expansive second album ‘Build From Here’ – all pulsing synths, lush instrumentals, wistful ballads and clubby peaks – so ably attests
Read More

Saint Etienne: When The Saints Go Marching Out

After 35 years, Saint Etienne have made their final album. The upbeat new collection ‘International’ will be the last instalment in a recording career that has been both thrillingly eclectic and warmly indebted to their love of classic pop. Sarah Cracknell, Bob Stanley and Pete Wiggs look back on three decades’ worth of highlights 
Read More

Air: Shoot For The Moon

Retro-futuristic, gorgeously languid, utterly irresistible – Air changed the sonic landscape almost overnight with the release of ‘Moon Safari’ in 1998. Taking a break from performing the album in full on a mammoth world tour, Jean-Benoît Dunckel and Nicolas Godin reflect on their robo-romantic masterpiece