0
Shares
0
0
0

With their promise of exhilarating retro-futuristic adventures, Barry Gray’s defining soundtracks for Gerry and Sylvia Anderson fizz with bombastic brass, sweeping strings and daring electronic innovation 

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 8 minute read

Miki Yui: Deep Listening

Miki Yui has produced a beguiling body of work rooted in elemental electronics and field recordings. She describes being shaped by the art and music of Düsseldorf, the influence of her late husband Klaus Dinger, and her recent conversion to modular synths
LLong Reads
Read More
  • 20 minute read

Ladytron: ’Tron and On and On

Almost a quarter of a century after they formed, Ladytron are still reaching new audiences. With their 2002 hit ‘Seventeen’ having gone viral on TikTok, the electropop futurists are back with their first album in five years, the swaggering ‘Time’s Arrow’. Quite the journey it’s been, too. Prepare for a bumpy but exhilarating ride
LLong Reads
Read More
  • 9 minute read

The Dook: Long Live The Dook

Jim Noir is dead. For 20 years, the enigmatic alter ego of Alan Peter Roberts has been the purveyor of perfectly wonky retro-pop. Fear not, though – the man beneath the bowler hat is about to relaunch himself as electronic maestro The Dook
LLong Reads
Read More
  • 8 minute read

Revolution in the Head: Beautify Junkyards

Beautify Junkyards bring a Portuguese perspective to Ghost Box’s retro-futurist aesthetic. Frontman João Branco Kyron discusses Portugal’s 1974 military uprising, his love of British  acid folk, and disturbing spectral voice recordings