Always striving to challenge the status quo, Swedish enigma and visionary Karin Dreijer does things very much on their own terms, artistically and musically. Here, they open up on electropop experimentation, identity politics and the “visceral confection” that is Fever Ray

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Matt Berry: Nocturnal Transmissions

He’s one of the funniest men on telly. He’s also an extremely talented musician. And with the woozy synthscapes of ‘Music For Insomniacs’, he’s paying homage to his big hero, Jean Michel Jarre.
Read More

In The Nursery: The History Men

Since 1981, In The Nursery’s cinematic soundscapes have evolved in fascinating ways, yet remained timeless. Their latest album is a deeply personal and beautifully orchestrated journey into their family history – and is perhaps the duo’s finest work to date
Read More

Unloved: Music From Big Pink

Unloved might be best known for soundtracking ‘Killing Eve’, but their third long-player, ‘The Pink Album’, widens the scope. Epic yet intimate, and gloriously diverse, it’s a beautifully spun fusion of psych hallucinations, fearless invention and melancholic jazz – and that’s only the half of it
Read More

Lloyd Cole: Dimensional Shift

If you still think of Lloyd Cole as a jangly popster, you’re in need of some re-education. His latest album, ‘1D’, follows on from his 2013 collaboration with krautrock pioneer Roedelius and finds him walking a fine line all the way to the future
Read More

Radiophonic Workshop: Doctors of Radio Phonics

With an almighty album of analogue improvisations spread over four 10-inch vinyl discs about to remind the world that Radiophonic Workshop’s influence on electronic music is immeasurable, we meet them to find out how the old days shaped the future