Gilroy Mere: What Lies Beneath

From the heart of Manchester’s thriving electronic scene, Hyperdawn’s asymmetric, future-facing music moulds tape loops, cut-up sounds and strange effects into wonderfully wonky experimental shapes

Gudrun Gut moved to West Berlin in 1975 and she’s been there ever since. Initially enticed by the smell of kebabs wafting through the air, which represented freedom to her, Gudrun Bredemann hunkered down in the political enclave and artistic demi-monde, gradually becoming punk’s answer to Marlene Dietrich.

Let’s get this straight: David Bowie was the godhead of 1970s electronic music. It was through him that electronic music was understood by a mass audience. His unique ability to synthesise, in both senses of the word, opened up pop music and revealed new ways of creating it, ways which would rapidly mutate and produce beautiful (and gloriously ugly) offspring in quick succession.

Adamski is back. And he’s back with something very different and really quite special. ‘Revolt’, his first album for 15 years, casts aside four-to-floor and serves up a whole new way of thinking about dance music. Say hello to future waltz… 

Despite the acclaim and avid fanbase, Marconi Union are strong silent types with a deathly serious outlook and a reluctance to engage about their expansive ambient soundscapes, right? As their 10th long-player drops, they blow that idea clean out of the water 

His voyeuristic 1995 ‘Mass Observation’ album broke all the rules and put Scanner on electronica’s top table. Some two decades down the line he’s still pushing at the edges. Robin Rimbaud talks life, the universe and almost everything…