Kim Gordon made her name with US rock giants Sonic Youth, but her second solo album ‘The Collective’ continues her intriguing exploration of fractured hip hop beats and “abstract poetry fucked-up shit”

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Belbury Poly: The Fairy Hikers

For his latest release as Belbury Poly, Jim Jupp has assembled a Ghost Box supergroup with a mid-Atlantic feel. Gathered together for the first time, they discuss ‘The Twilight Zone’, flat-roofed pubs and the fairy folklore that inspired the new record
Read More

Da-Da-Da

Dada, Hugo Ball’s quirky anti-art movement that inspired bands galore, celebrates its centenary this year. From 1916 and Zürich’s Cabaret Voltaire in 1916 to 2016 and the return of Yello, we squint at the cogs inside this cuckoo Swiss concept
Read More

Jean-Michel Jarre:  Live Rendez-Vous

As Jean-Michel Jarre gears up to release a boxset of his city-swallowing spectacular in Bratislava earlier this year, we chat to the French master of electronic music about the evolution of his extraordinary live shows, from his 1971 debut to the closing ceremony of the 2024 Paris Olympics
Read More

Tim Hecker: Ice Breaker

His score for the TV series ‘The North Water’ is a high point in an already impressive career. Canadian ambient maestro Tim Hecker extols the joys of the cello, outlines the perils of the soundtrack composer, and explains why he prefers to make music in the winter
Read More

No-Man: Man Alive

Tim Bowness and Steven Wilson are back with the first No-Man album since 2008 – and it’s a return to their electronic roots, soundtracking a tale of tragic, fractured romance
Read More

Working Men’s Club: Club Mix

The 2020 self-titled debut album from Working Men’s Club won universal acclaim, but their follow-up, ‘Fear Fear’, is arguably even better – a glorious collision of “scuffed” electropop, clubby energy and outright bangers. Frontman Syd Minsky-Sargeant reveals its story