On Death In Vegas’ first album in nine years, Richard Fearless channels grief, memory and raw emotion into visceral electronics – all caustic rave energy and fractured beauty.

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

The Minimoog Story

Join us as we open the doors of the RA Moog Company at 49 East Main Street in Trumansburg, New York, and meet the people whose innovative ideas led to the creation of a groundbreaking synth
Read More

Amon Tobin: Mixing Concrète

Eight years after the mind-melting experience that was ‘ISAM’, Amon Tobin returns with ‘Fear In A Handful Of Dust’, another masterful and opaque work of exquisite sound design and strange beauty. Is this neo-musique concrète?
Read More

Plaid: Interstellar Overdrive

Andy Turner and Ed Handley return with Plaid’s euphoric ‘Feorm Falorx’, an intriguing concept album about performing at an intergalactic festival on a distant planet. As you do. Stand by for stories about their time in The Black Dog and working with Björk
Read More

Matt Berry: Nocturnal Transmissions

He’s one of the funniest men on telly. He’s also an extremely talented musician. And with the woozy synthscapes of ‘Music For Insomniacs’, he’s paying homage to his big hero, Jean Michel Jarre.
Read More

OMD: Electric Blue

With the release of the new OMD album, ‘English Electric’, Andy McCluskey talks about the Voyager spaceship, Helen of Troy, butchering songs for radio and, inevitably, Kraftwerk