Sleaford Mods return with their most ambitious, sharp-tongued set yet, AS ‘The Demise Of Planet X’ cranks up fury and vivid sonics into a caustic portrait of cultural freefall and catharsis. They’re loud, angry and utterly irresistible

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Jean-Michel Jarre: Man Of The Future

Jean-Michel Jarre is forever looking to move inexorably forward. His latest album, ‘Oxymore’, is a musique concrète record created with 21st century technology, pushing 3D binaural sound to incredible new levels and keeping the French maestro several steps ahead of the curve. Headphones on…
Read More

Vince Clarke: On The Square

Erasure with rave licks? Orbital with pop flecks? it’s an unlikely collaboration on the face of it, but these two electronic music behemoths have served up a proper treat in the form of Vince Clarke and Paul Hartnoll’s ‘2Square’. We pop round to Vince’s Brooklyn studio to discover more, while Paul joins in the conversation on Skype
Read More

Japan: From The Glamour To The Ether

Beautiful faces, fabulous hair, immaculate clothes. Laconic vocals, luxurious synths, sinuous rhythms. We are talking about Japan. Of course. To mark the release of a superb new biography, ‘Japan: A Foreign Place’, we chronicle the steady rise and sudden fall of one of the most perfect pop groups of all time
Read More

Mark Pritchard and Thom Yorke: Tales of the Unexpected

What happens when electronic visionary Mark Pritchard teams up with Radiohead’s enigmatic frontman Thom Yorke? That will be ‘Tall Tales’, a gloriously hyperreal, “elegantly unhinged” album of sonic trickery and digital effects, with mind-zapping visuals by artist Jonathan Zawada
Read More

David Bowie: Synthesist

Let’s get this straight: David Bowie was the godhead of 1970s electronic music. It was through him that electronic music was understood by a mass audience. His unique ability to synthesise, in both senses of the word, opened up pop music and revealed new ways of creating it, ways which would rapidly mutate and produce beautiful (and gloriously ugly) offspring in quick succession.