Celebrating the release of the first Tears For Fears album since 2004, Roland Orzabal and Curt Smith reflect on a five-decade career and talk about loss, working under duress, musique concrète and Gothic architecture 

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Kim Gordon: The Art Of Noise

Kim Gordon’s third solo offering is a sharp-edged jolt of hip hop, krautrock and fractured electronics, laced with dark humour and poetic unease – one heck of a sonic melting pot
Read More

Cold War Electronica: The Jingle At The End Of The World

In 1975, the Central Office of Information secretly produced the chilling ‘Protect And Survive’ series of public information films, to be broadcast on British TV in the event of an imminent nuclear war. And the composer of its jingle, potentially the final piece of music the country would ever hear? The BBC Radiophonic Workshop’s Roger Limb
Read More

Thurston Moore: Sonic Adult

Since moving to London at the beginning of the decade, Thurston Moore has found himself at the forefront of east London’s experimental music scene. From Luc Ferrari to Public Enemy, we enjoy a free-ranging chat. 
Read More

Public Service Broadcasting’s: Soul Mining

Recorded in one of the communities where it happened, Public Service Broadcasting’s absorbing ‘Every Valley’ album tells of the rise and fall of the Welsh mining industry through the eyes of those it affected most deeply