Celebrating the release of the first Tears For Fears album since 2004, Roland Orzabal and Curt Smith reflect on a five-decade career and talk about loss, working under duress, musique concrète and Gothic architecture 

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

New Wave Of New Age

Call it ambient, call it deep listening – whatever you call it, the gentle noise and healing power of The New Wave Of New Age is taking over. We talk to some of the artists and labels and hear why this once maligned genre is experiencing such a healthy second wind
Read More

Moog Sound Lab

Guildford is perhaps not quite where you would expect to find a groundbreaking open access project stuffed to the gills with gobsmacking high-end Moog gear. but Guildford is where you’ll find the Moog Sound Lab. Step this way and feel free to touch that dial
Read More

Crammed Discs: Measure of the Man

Crammed Discs’ avant-garde ‘Made To Measure’ series has recently reactivated to serve up reissued classics as well as new releases. We meet Crammed boss Marc Hollander and some of the Belgian label’s always idiosyncratic artists 
Read More

Beverly Glenn-Copeland: A Singular Life

At the age of 77, after 50 years of making a huge array of music, ranging from jazz-inflected folk to ambient soundscapes to operatic trip hop, the unique talent of Beverly Glenn-Copeland is finally being recognised
Read More

Kim Gordon: The Art Of Noise

Kim Gordon’s third solo offering is a sharp-edged jolt of hip hop, krautrock and fractured electronics, laced with dark humour and poetic unease – one heck of a sonic melting pot