Thomas Fehlmann

For a few years during the 1990s, David Bowie was the Jeremy Paxman of art critics, compelling the rich and famous to justify their exhibition catalogue waffle

Kraftwerk weren’t always the sleek man machine we know and love today. This issue, we’re looking back to a rare live TV appearance by the band in 1970 and catching a glimpse of Neu!’s Klaus Dinger on drums

The astonishing story of Léon Theremin goes far beyond his famous instrument, taking in war, espionage, kidnap and, ultimately, redemption

labels said the vocals were “very aggressive” and it barely shifted a copy of its first pressing, so how the heck did Black Box’s ‘Ride on time’ become a global hit?

Global Communication’s Tom Middleton remembers meeting a teenage Richard D James, who looked like a member of Bros and was conducting “binaural neuroscience experiments” in his bedroom

It’s 1994, in a Brixton backstreet club, a bunch of Finnish musicians are making their London debut with a live set that will lay the foundations for PAN SONIC, one of electronica’s most revered acts