0
Shares
0
0
0

She has played synthpop with Saloon and folk rock with The Left Outsides, but Alison Cotton‘s new solo album enters more experimental territory, evoking the beautifully bleak heritage of her native North East

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 8 minute read

Julia-Sophie: Soul Inside

Dark, left-field, danceable and utterly compelling – reflecting personal self-destruction, love and loss, the debut solo offering from Anglo-French producer Julia-Sophie is an unflinchingly sublime future-pop confessional 
LLong Reads
Read More
  • 6 minute read

Album Of The Year: Telefís

With ‘a hAon’ and ‘a Dó’ sharing the top spot in our Albums Of The Year, Telefís have achieved a truly remarkable feat. Vocalist Cathal Coughlan sadly passed away earlier this year, so uber-producer Garret “Jacknife” Lee steps forward to accept the award
LLong Reads
Read More
  • 9 minute read

Jon Hassell: Worth It

Learning the ropes from Stockhausen, La MoNte young and Terry Riley and showing the way forward to Eno and Byrne, Jon Hassell is an electronic music colossus. Seems that at 81, he’s just getting started
LLong Reads
Read More
  • 5 minute read

Cold War Electronica: The Hands Of Doom

Created in 1947, the Doomsday Clock is a terrifying visual representation of how near we are to the end of the world. The closer that the hands get to midnight, the closer we get to oblivion
LLong Reads
Read More
  • 9 minute read

Peaches: Wet Wet Wet

Riotously bawdy and uncompromising, Peaches is no stranger to radical provocation or controversy. Her first album in 11 years, ‘No Lube So Rude’, doubles down on that hardcore trajectory to louder, filthier and more joyously confrontational extremes