Zyggurat
Brum Brutalism inspires modular jazz
‘Musical Offering’
Following the recent reissue of ‘Musical Offering’ from 1971, featuring music composed on the Soviet-made ANS synthesiser, Scanner recalls a visit to Moscow where he first saw the legendary machine
Peter Strickland
Acclaimed British film director Peter Strickland’s most recent feature ‘Flux Gourmet’ takes inspiration from his own formative experiences manipulating sound recordings of vegetarian cookery. He would also like to thank Bauhaus, Mantovani and, er, owls
Faizal Mostrixx: Days of Future Past
A pioneer who made his name as a significant figure on East Africa’s vibrant electronic scene, Faizal Mostrixx explains his unique take on Afrofuturism
Lara Jones: No Sax Please
A euphoric celebration of queer intimacy, Lara Jones’ glorious new ‘Fig’ EP is swathed in sensuous samples and glitchy electronics
Mandy, Indiana: Feel The Noise
Fusing industrial electronics, panoramic post-punk and textural distortion, rising Manchester quartet Mandy, Indiana are a force to be reckoned with
Dollar Money $crotum
More random musings from Fat Roland. On his mind this month (as far as we can tell) is Rap
Modern Cosmology: Splinter Groop
As Modern Cosmology, Lætitia Sadier and Brazilian outfit Mombojó make quite the team. Fusing lounge jazz, bossa nova, psych and prog grooves, their debut album is like a lost early Stereolab classic
Timothy London ‘Hippychick’
Soho’s Timothy London reflects on their 1990 hit, ‘Hippychick’, which fuses the central riff from The Smiths’ ‘How Soon Is Now?’ to a Soul II Soul beat
The Final Frontier of Sound
The fascination that electronic music artists and fans have with worlds beyond Earth is being deepened by technological advancements and renewed intergalactic ambitions. And we’re also now starting to get answers to a question that’s bugged many of us for a long time. What does space actually sound like?