French producer Aho Ssan makes stunning experimental music, drawing a host of zeitgeisty contributors into his orbit. No wonder his new work ‘Rhizomes’ reads like a who’s who of contemporary underground electronica
Elizabeth Parker was a BBC Radiophonic Workshop mainstay and one of Britain’s most in-demand composers of TV and film soundtracks. A new compilation, ‘Future Perfect’, gathers together previously unheard pieces from her own private archive. Expect ghostly nuns and clunky scaffolding
With ‘Non-Stop Erotic Cabaret’, their hugely influential 1981 debut album, Soft Cell brought sleazy lyrics and shady but infectious synth anthems to the mainstream. Marc Almond and Dave Ball reflect on art-school aesthetics, punk electronics, and the controversies that fuelled their speedy rise
Shackleton’s stock has never been higher. In a rare interview, the sound designer and arch-collaborator opens up on his gloriously hypnotic new album, a disorientating miasma of woozy hauntology and “cracked-mirror oddness”
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