Bangers. Mashes. Cosmic dreamscapes. Oddball abstractions. Collaborations with everyone from Sleaford Mods to Mediæval Bæbes. Welcome to the new Orbital album, ‘Optical Delusion’, a record sparked by the surreal and chaotic world events going on around us. Phil and Paul Hartnoll turn on their torch glasses and reveal all

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Spöön Fazer: Causing a Stir

His early 1980s recording career amounted to just two EPs, but the story of Totnes synthpop trailblazer Spöön Fazer is rich in wild tales, and a treasure trove of his unreleased tracks has just been uncovered…
Read More

Orbital: Monster Sound

They’ve patched up their differenceS (again) and turned in a banger of a new album (as always) for which they enlisted the help of some morris dancers and Professor Brian Cox (like you do). You need to ask who? It can only be the brothers Hartnoll and the unstoppable Orbital
Read More

Pet Shop Boys: Boys Keep Swinging

Pet Shop Boys are back with ‘Nonetheless’, their 15th studio album and a fresh creative peak that imbues their quintessential electonic sound with string arrangements and live instruments
Read More

Album Of The Year: Telefís

With ‘a hAon’ and ‘a Dó’ sharing the top spot in our Albums Of The Year, Telefís have achieved a truly remarkable feat. Vocalist Cathal Coughlan sadly passed away earlier this year, so uber-producer Garret “Jacknife” Lee steps forward to accept the award
Read More

Matt Berry: Nocturnal Transmissions

He’s one of the funniest men on telly. He’s also an extremely talented musician. And with the woozy synthscapes of ‘Music For Insomniacs’, he’s paying homage to his big hero, Jean Michel Jarre.
Read More

D’voxx: The Ministry of Truth

In a world taking some distinctly dark turns, George Orwell’s ‘1984’ is starting to feel alarmingly prescient. Enter d’Voxx – Nino Auricchio and Paul Borg – whose officially sanctioned musical homage to the celebrated dystopian novel succeeds where David Bowie once failed