Thomas Fehlmann
Thomas Fehlmann recounts how The Orb managed a surprise return to the top of the UK charts… by way of a rejection from Jean-Michel Jarre
Death Hags
Mysterio gives lush dreampop and more
Tron
Decades on from a time when you couldn’t simply produce a film soundtrack on a laptop, sound design supervisor Michael Fremer reflects on what it was like to work with composer Wendy Carlos for Disney’s 1982 sci-fi action-adventure, ‘Tron’
Tony Rolando
Renowned instrument maker turns producer
Ghost Power
Sci-fi funk instrumentals from power duo
Craig Palmer ‘Industrial – Volume 26’ (Network Production Music, 1983)
At some point, the entertainment industry will have to relax its choke-hold on 1980s nostalgia. They’ll finally realise that video arcades aren’t coming back
Michael C Sharp
Texan rocker moves downtempo
The Minimoog Story
Join us as we open the doors of the RA Moog Company at 49 East Main Street in Trumansburg, New York, and meet the people whose innovative ideas led to the creation of a groundbreaking synth
Mother Mallard’s Portable Masterpiece Company ‘Like A Duck To Water’ (Earthquack, 1976)
Imagine a time when, as a concession to your audience, you’d show them cartoons while you were busy repatching your synthesisers between songs.
TJ Lawrence ‘Illuminations’ (Eagle, 1985)
Since you can’t peel back the YouTube algorithm, there’s no telling how we wound up staring at western Canada circa the mid-80s.