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Thomas Fehlmann

Thomas Fehlmann recounts how The Orb managed a surprise return to the top of the UK charts… by way of a rejection from Jean-Michel Jarre
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Tron

Decades on from a time when you couldn’t simply produce a film soundtrack on a laptop, sound design supervisor Michael Fremer reflects on what it was like to work with composer Wendy Carlos for Disney’s 1982 sci-fi action-adventure, ‘Tron’