Róisín Murphy
To mark the release of ‘Hairless Toys’, her first album for eight years, former Moloko singer Róisín Murphy maps out her journey from then to now via the people and places she’s encountered on the way
We Are The Muzik Makers
In 1995, a new music magazine catapulted underground electronic music into the mainstream. To mark 20 years since the first issue of MUZIK, we track down its founders to tell the full story (although it wasn’t that hard to find them)
Renegade Soundwave ‘Biting My Nails’
Gary Asquith winds back to 1989 and recounts a tale about cocaine, cursed death masks and a somewhat informal business meeting with Robert Plant
Walls: Get Your Mortar Running
Bringing the Walls trilogy to a conclusion with ‘Urals’, is this the end of the road or just the beginning of a new journey for the Anglo-Italian duo?
Martin Gore: Oh MG!
Despite his new solo album being entirely instrumental, Depeche Mode’s Martin Gore isn’t a man lost for words
Gnod’s Guide To Islington Mill: The Collective Spirit Of The New Manchester Scene
Electronic psychonauts Gnod operate out of Islington Mill, a Grade II listed Victorian cotton mill in Salford that has somehow escaped the gentrification tidal wave and now houses a vibrant community of musicians, labels, artists, designers, photographers and printers. Gnod’s charismatic lynchpin Paddy Shine takes us on a tour of the unique building at the epicentre of a creative revolution
Blanck Mass: Flesh And Blood
Taking time out from Fuck Buttons, Benjamin John Power has unleashed another Blanck Mass album. It’s called ‘Dumb Flesh’ and unleash is the operative word…
A Sheffield Story: From Vice Versa To Abc
Hard as it is to fathom, the gold lamé and grand orchestral pop of Sheffield’s ABC developed out of post-punk experimentalist outfit Vice Versa. What were they putting in the water up there in South Yorkshire?
Bel Canto ‘White-Out Conditions’
We’ve followed the secret map of electronic music past and found a hidden chest of lost gems. This month, we’re pulling out and polishing Bel Canto’s ‘White-Out Conditions’
The Prodigy: The Sound And The Fury
Marking 25 years at the coalface, ‘The Day Is My Enemy’ is The Prodigy’s first album since 2009’s ‘Invaders Must Die’ and finds them at their raging best. In this exclusive piece for Electronic Sound, the band’s official biographer takes us inside the camp with a personal account of his unfolding friendship with Liam Howlett and talks to the producer about the fury that remains at the heart of his sound