Call it ambient, call it deep listening – whatever you call it, the gentle noise and healing power of The New Wave Of New Age is taking over. We talk to some of the artists and labels and hear why this once maligned genre is experiencing such a healthy second wind
For his latest outing, Leafcutter John walked the Norfolk coast and recorded the sounds he heard along the way, mixing them with modular synth melodies for his latest album. Released on James Holden’s revered Border Community label, it’s his most direct and delightful work yet
With the release of a retrospective of her melancholy collage-pop, Glasgow-based, Polish-born Ela Orleans tells us about the connections between concussion, creativity and catharsis
Side-projects can be a complicated affair, particularly if you’re a fan of the precursory band. Acolytes find themselves talking up a lesser-known record they might not actually like very much, but a perceived obligation of support results in them writing cheques their misplaced loyalty can’t cash.
Die Doraus was Andreas Dorau, who was only 16 when he recorded 1981’s ‘Blumen Und Narzissen’ (‘Flowers And Daffodils’) with Der Plan’s Kurt Dahlke and Frank Fenstermacher for their fabled Neue Deutsche Welle label Ata-Tak.
We set the dial to 1961 where the unmistakable sound of Del Shannon’s Number One smash hit ‘Runaway’ rules the airwaves… but what is that flute-like sound that drives it along? Prepare yourself for a lesson in electronic music instrument history.
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