Features

Established in 2004, Moogfest brings together music, art and tech with the admirable aim of growing a global community of future sound explorers. We chart the rise and rise...

Filmmaker Jason Amm and Michelle Koussa-Moog talk about their new documentary on the life and work of her famous dad, Bob Moog.

With a comprehensive boxset just released, Heaven 17’s Glenn Gregory and Martyn Ware tell us how their unmistakable electro-soul sound came into being – and why they’re finally mastering the art of playing live.

The Cinematic Orchestra’s ‘To Believe’ is a love letter to the power of the album. We meet Jason Swinscoe and Dominic Smith to find out why the long-player still matters in an age of streaming and short attention spans...

We trace how musique concrète mutated from turnable experiments in the 1940s to turntable experiments in the 21st century via audio tape and sampling… 

Eight years after the mind-melting experience that was ‘ISAM’, Amon Tobin returns with ‘Fear In A Handful Of Dust’, another masterful and opaque work of exquisite sound design and strange beauty. Is this neo-musique concrète?

Even on their 1990 debut, Essex’s Ultramarine were ahead of the game. their new ‘Signals In space’ album is yet another evolution, drawing on their love of field recordings, post-rock and house music…

Celebrating the 1970s golden age of TV themes are The Kpm All Stars, whose members Alan Hawkshaw and Brian Bennett composed classics such as ‘Grange Hill’ and ‘Countdown’. thanks to their sterling work, library music is cooler than ever

Cool band, good-looking singer, major label deal, infectious tunes. the Top 40 beckoned for 1980s Glasgow outfit Secession… some 18 years after the death of frontman Peter Thomson, we tell the story of a group who shouldn’t have fallen by the wayside