0
Shares
0
0
0

In the 1960s, Dorothy Moskowitz voyaged through the heart of the US avant-garde, a journey culminating in the explosive psychedelia of her influential band, The United States Of America. Six decades on, the essence of that artistic revolution is emerging again

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 9 minute read

Ambient: Dream State

How do you define ambient music? What’s the role of ambient today? And how might it sound in the future? We put these questions and others to our esteemed panel of ambient artists
LLong Reads
Read More
  • 5 minute read

Bruise Blood: Cuts Deep

The debut solo project from Teeth Of The Sea’s Mike Bourne, Bruise Blood deals in heaving electronics and dirty beats. Dancey yet abyssal, disorienting yet immersive, resistance is futile – prepare to be pulled under
LLong Reads
Read More
  • 14 minute read

The Kpm All Stars: Music To Watch TV By

Celebrating the 1970s golden age of TV themes are The Kpm All Stars, whose members Alan Hawkshaw and Brian Bennett composed classics such as ‘Grange Hill’ and ‘Countdown’. thanks to their sterling work, library music is cooler than ever
LLong Reads
Read More
  • 5 minute read

Simon Reynolds: Tomorrow’s World

From Kraftwerk to Auto-Tune via a range of scenes, subcultures, technologies and sci-fi backdrops, Simon Reynolds’ latest book ‘Futuromania’ looks at the impact of “machine music” from the 1970s to the present day