With a new John Carpenter anthology featuring reworked versions of his most iconic and haunting themes, the celebrated horror director and composer reflects on his creepy “synth-noir” sound and a life well-lived

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Harald Grosskopf: Tempel Pilot

Having been part of Ash Ra Tempel and its Ashra reincarnation, as well as Wallenstein and the legendary Cosmic Jokers, Harald Grosskopf is krautrock royalty. His scintillating 1986 solo release, ‘Oceanheart’, is now being reissued and given a contemporary rework by the man himself
Read More

Wendy Carlos, Stanley Kubrick, and A Clockwork Orange

Wendy Carlos’ pioneering soundtrack to Stanley Kubrick’s ‘A Clockwork Orange’ was just as subversive as the film, debasing classical masterpieces and putting electronic music on the map. We delve into the work of the maverick musician, the singular director, and their turbulent working relationship…
Read More

Stephen Mallinder: Maladjusted

It’s been nearly 30 years since Stephen Mallinder was last involved with Cabaret Voltaire, the act his name will always be associated with. Throughout that time, he’s never stopped creating, innovating and pushing forward, but his story isn’t as front and centre as you might expect. It’s time for an adjustment… 
Read More

John Foxx: Urban Foxx

From the abandoned mills of Greater Manchester to the glass and steel at the heart of London, John Foxx has always found peace – and music – in urban landscapes. Looking back on his prophetic role in electronic music, Foxx discusses his upcoming release of archive material, his latest projects and collaborations, and his love of the driving force behind much of his work – the city