0
Shares
0
0
0

Dark, left-field, danceable and utterly compelling – reflecting personal self-destruction, love and loss, the debut solo offering from Anglo-French producer Julia-Sophie is an unflinchingly sublime future-pop confessional 

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 6 minute read

Save Our Sounds

As the British Library sound archive launches a multi-million pound project to save the nation’s sounds, we take a guided tour of their ever-growing collection to get an idea of the task ahead
LLong Reads
Read More
  • 9 minute read

Asian Dub Foundation: ADF THX FAB

Not content with delivering a thumpingly good new album, Asian Dub Foundation have also penned a superb live score for George Lucas’ dystopian sci-fi classic ‘THX 1138’. “Our default position is to do the opposite of what most bands do,” says ADF main man Steve “Chandrasonic” Savale. And then some
LLong Reads
Read More
  • 8 minute read

Maria Uzor: Deep Cuts

Eclectic and esoteric, pinging from Aphex-esque techno to Zapp-style funk, the debut solo record from former Sink Ya Teeth vocalist Maria Uzor is an irrepressible statement of intent
LLong Reads
Read More
  • 8 minute read

John Carpenter: Feel The Fear

With a new John Carpenter anthology featuring reworked versions of his most iconic and haunting themes, the celebrated horror director and composer reflects on his creepy “synth-noir” sound and a life well-lived
LLong Reads
Read More
  • 9 minute read

Krautrock: In Full Flow

Musician and author Wolfgang Seidel was a fly-on-the-wall observer during krautrock’s peak. In his new book, ‘Krautrock Eruption’, he argues that the genre was rooted in the German working class, before Berlin’s countercultural scene of psych, jazz and electronics elevated it to stratospheric realms