Dark, left-field, danceable and utterly compelling – reflecting personal self-destruction, love and loss, the debut solo offering from Anglo-French producer Julia-Sophie is an unflinchingly sublime future-pop confessional 

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

AR Kane: Ark Welding

AR Kane came up with the term “dreampop” to describe the mind-blowing fusion of musical styles on their late 1980s albums. And as the new ‘AR Kive’ boxset confirms, their records remain every bit as strange, beautiful and irresistible as they were 35 years ago
Read More

Near Future: Not Tomorrow, the Next Day

In a further bid for musical world domination, Blancmange’s Neil Arthur enlists musician, sculptor and film-maker Jez Bernholz to create the sumptuously minimal Near Future. the pair’s superb debut album is ‘ideal home’.What’s it all about? We ask the questions….
Read More

Cold War Electronica: Cold Warrior

Factory Records insider and founding member of Die Unbekannten, Mark Reeder arrived in West Berlin in 1978. His Cold War life in the divided city, smuggling music into the East like a dangerous subversive, reads like a post-punk spy yarn 
Read More

onDeadWaves: Waving…Not Drowning

OnDeadWaves is a fascinating collaboration between Mute artists Polly Scattergood and MAPS, also known as James Chapman. Their self-titled album is one of the most melancholic records you’ll hear all year, but they insist there are nuggets of hope sparkling in the sadness
Read More

Ultravox: Ooohhh Vienna

Ultravox’s seminal album ‘Vienna’ took the band from the edge of oblivion to pop stardom. Midge Ure, Billy Currie, Chris Cross and Warren Cann remember the turbulent times and twists of fate that set them on the path to glory