For more than four decades, African Head Charge have pushed the outer limits of dub, concocting an intoxicating brew of electronic exploration and live percussion. Their latest long-player continues to confound expectations – from Accra to Ramsgate and back again

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Fast Forward

What will the world be like at the end of this century? What about in the year 3000? What will music sound like in the next millennium? We assembled a panel of artists from across the electronic spectrum to give us their thoughts on what the future might hold
Read More

Late Works: Works in Progress

Offer a diverse bunch of musicians an assortment of instruments sculpted by artists, give them six hours to write and record a song, and what do you get? Meet Late Works and their ‘Of Noise’ LP
Read More

The Prodigy: The Sound And The Fury

Marking 25 years at the coalface, ‘The Day Is My Enemy’ is The Prodigy’s first album since 2009’s ‘Invaders Must Die’ and finds them at their raging best. In this exclusive piece for Electronic Sound, the band’s official biographer takes us inside the camp with a personal account of his unfolding friendship with Liam Howlett and talks to the producer about the fury that remains at the heart of his sound
Read More

Jon Hopkins: Beats Surrender

Don’t be fooled, ‘Music For Psychedelic Therapy’ isn’t Jon Hopkins going all wallpaper ambient on us. It’s a weighty album he says needs to be listened to loud. We turn up the volume