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Bluedot 2023: Walk This Way

Ahead of Pavement’s Saturday night slot at this year’s Bluedot, Stephen Malkmus talks about the American indie/slacker outfit’s krautrock influences and the surprising electronics that lurk within their sound
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Bluedot 2023: Ask Me Another…

Fancy a few snappy Q&As with some of the big movers and shakers at Bluedot 2023? Of course you do. Step up Creep Show’s John Grant, Stephen Mallinder and Benge, Radiophonic Workshop’s Peter Howell, Johnny Lynch aka The Pictish Trail, David Maclean of Django Django, Ian Parton of The Go! Team, former Lush singer Miki Berenyi and Bluedot festival director Ben Robinson
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Alison Goldfrapp: Happy and Glorious

A majestic collection of 21st century synthpop – complete with hints of disco, a sprinkling of acid house and a big dollop of glamour – ‘The Love Invention’ is the long-awaited debut solo album from Alison Goldfrapp. Backed by some fabulously playful AI-generated visuals, it’s no surprise that the record rocketed straight into the UK Top 10 in the week of its release…
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Harald Grosskopf: Tempel Pilot

Having been part of Ash Ra Tempel and its Ashra reincarnation, as well as Wallenstein and the legendary Cosmic Jokers, Harald Grosskopf is krautrock royalty. His scintillating 1986 solo release, ‘Oceanheart’, is now being reissued and given a contemporary rework by the man himself
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Lovely clogs

Fat Roland is musing in a slimmed-down way. On his mind this month (as far as we can tell): New Formats
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Kid Koala: Creature Feature

Typically big on imagination and hoping to “joyfully connect people”, renowned Canadian DJ and producer Kid Koala puts his multifarious skills to good use on his new double album, ‘Creatures Of The Late Afternoon’ – with a built-in board game, to boot
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Moby: To The Beat, Y’all!

With the release of ‘Resound NYC’, a reimagining and orchestration of his New York-centric hits, Moby reflects on the influence of the Big Apple, the power of the human voice, and hanging out with David Bowie and Lou Reed
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Nabihah Iqbal: The Stuff Of Dreams

After overcoming immense challenges during its gestation, the second album from London producer Nabihah Iqbal – the left-field, intimate and gloriously melancholic ‘Dreamer’ – is an unequivocal triumph over adversity