0
Shares
0
0
0

With a recording from a live performance in New York surfacing 50 years after she made it, Suzanne Ciani reflects on playing with Beck, getting tear-gassed, parking karma and, of course, quadraphonic sound 

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 17 minute read

Can: Deutschland ’75

A vault of Can live recordings has been jemmied open for a series of exciting new releases, starting with ‘Live In Stuttgart 1975’. Irmin Schmidt, the band’s instigator and sole surviving core member, talks about the unique onstage experience of Germany’s ur-band
LLong Reads
Read More
  • 8 minute read

Wevie Stonder: Stuck On Stupid

After a 16-year hiatus, glorious oddballs Wevie Stonder are back. Deploying a familiar melange of multi-hued electronics, eccentric humour, cartoonish sound effects and patently skewed storytelling, they’re still delightfully bonkers
LLong Reads
Read More
  • 8 minute read

Nightmares On Wax: Wax Poetic

Taking a lead from the title of his latest album, Nightmares On Wax’s George Evelyn sees a more positive world if we aim to ‘Shape The Future’. How so? Living in Ibiza for 10 years sure helps
LLong Reads
Read More
  • 6 minute read

Moon Shot

Charting NASA’s extraordinary eight-day mission in July 1969 that saw the first Moon landing, the new ‘Apollo 11’ documentary is not just a visual feast, but an audio one too. Director Todd Douglas Miller, composer Matt Morton and sound designer Eric Milano explain how they brought this remarkable achievement to life