Features

Welcome to the Melbourne Electronic Sound Studio, a gobsmacking collection of synths that is plugging Australia’s electronic music scene into the grid. Don't touch that dial!

The rise of tech and how we use it to communicate is the central focus of Karl Bartos’ debut solo album from 2003. We connect with the former Kraftwerker to talk about the welcome reissue of the record

The original folktronica trailblazer has really cranked up the ’tronica for her excellent new album, ‘Kidsticks’. Will the real Beth Orton please stand up?

DJ? Electronic recording artist? Producer? Soundtrack composer? Drawing on 60s girl groups and epic film scores, Unloved sees David Holmes combining his considerable skills into one deliciously noir-ish album

A new EP by Immersion finds Wire frontman Colin Newman and Minimal Compact basser Malka Spigel on sparkling form… but then this record has been over a decade and a half in the making

Let’s get this straight: David Bowie was the godhead of 1970s electronic music. It was through him that electronic music was understood by a mass audience. His unique ability to synthesise, in both senses of the word, opened up pop music and revealed new ways of creating it, ways which would rapidly mutate and produce beautiful (and gloriously ugly) offspring in quick succession.

From his days as the bass player in Magazine, to conjuring up imaginary soundtracks, to directing films in his own right, Barry Adamson talks us through an extraordinary career. And with a new solo album, ‘Know Where To Run’, he shows little sign of letting up

From the classical pomp of The Proms to the thrilling pop of her new album ‘Varmints’, Anna Meredith is shaking up preconceptions about composers and turning ideas of what a songwriter is on its head