Features

Last month, Kraftwerk played ‘Tour De France’ live at the opening stage of the world’s most famous cycle race – the first time they’ve done so in the 30 years since the track was recorded. As their legion of fans find themselves asking about almost everything the band do, “What took them so flipping long?”

Gwenno hasn’t simply crafted a fantastic electro-pop album, one of the best you’ll hear all year. She’s crafted a fantastic electro-pop album on which every track is sung in Welsh (apart from the one that’s in Cornish)

Not content with delivering a thumpingly good new album, Asian Dub Foundation have also penned a superb live score for George Lucas’ dystopian sci-fi classic ‘THX 1138’. “Our default position is to do the opposite of what most bands do,” says ADF main man Steve “Chandrasonic” Savale. And then some

From the abandoned mills of Greater Manchester to the glass and steel at the heart of London, John Foxx has always found peace – and music – in urban landscapes. Looking back on his prophetic role in electronic music, Foxx discusses his upcoming release of archive material, his latest projects and collaborations, and his love of the driving force behind much of his work – the city

Dr Peter Zinovieff is responsible for the first British synthesiser, the VCS3. Now in his 80s, he remains as interested in the future as ever. And he’s invited us to lunch, to discuss Kraftwerk, Robert Moog, Delia Derbyshire, a couple of Beatles, hard drives costing £4,000 and a computer powered by a windmill

“That style of beats is something I’ve been into my entire career,” says Josh Davis, aka DJ Shadow, when I suggest to him that the output of his Liquid Amber label, including his own self-titled Nite School Klik EP, represents a quantum leap from his recorded history thus far.