Editors: Heavy Heavy Monster Sound

The tragic tale of the original pop Svengali would be fantastic enough even without the black magic, gangland threats and a pill-popping climax of paranoia, rapidly declining fortunes and murder… through a series of interviews, conducted in the late 1990s and early 2000s, many with collaborators, artists and assistants who have since died, we tell the incredible tale of Joe Meek 

By anyone’s standards, 22 years is a while. As their new album ‘Suilven’ appears over the horizon, John Vick and Davie Miller explain why it’s taken the best part of two decades to morph from Finitribe to Finiflex

From the abandoned mills of Greater Manchester to the glass and steel at the heart of London, John Foxx has always found peace – and music – in urban landscapes. Looking back on his prophetic role in electronic music, Foxx discusses his upcoming release of archive material, his latest projects and collaborations, and his love of the driving force behind much of his work – the city

Three nights of Gary Numan? Yes please. Three nights of Gary Numan performing first ‘Replicas’, then ‘The Pleasure Principle’, then Telekon’? Yes please with great big knobs on

The Cinematic Orchestra’s ‘To Believe’ is a love letter to the power of the album. We meet Jason Swinscoe and Dominic Smith to find out why the long-player still matters in an age of streaming and short attention spans...