Kim Gordon’s third solo offering is a sharp-edged jolt of hip hop, krautrock and fractured electronics, laced with dark humour and poetic unease – one heck of a sonic melting pot

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Zombie Zombie: Monster Mash

French trio Zombie Zombie take an unexpected leap of faith on their new album, a “reverberated doom orgy” that fuses Latin and choral arrangements with fizzing analogue synths and vocoders
Read More

Jane In Palma: Phoenix Days

Julian Smith began his Jane In Palma project after a cataclysmic event turned his life upside down in an instant. Six years and two albums on, he’s producing some of the most inventive electronica around
Read More

Gruff Rhys: The Hills Are Alive

A sacred mountain on the Korean border, a pilgrimage to meet Linda Ronstadt, a 13th century Welsh prince and an obsession with the work of Klaus Dinger… welcome to the world of Gruff Rhys
Read More

Art Of Noise: Picture This

It seems fitting that one of the most inventive acts of the 1980s has a back story you couldn’t make up. On the eve of a live reboot, Anne Dudley, JJ Jeczalik and Gary Langan tell the incredible tale of Art Of Noise. Are you sitting comfortably? Then we’ll begin…
Read More

Mark Reeder: Reed All About It

Mark Reeder is one of the many intriguing characters to have emerged from the outrageously fertile Manchester music scene of the late 1970s. Here he talks about New Order, his life in berlin, the art of the remix