0
Shares
0
0
0

Somewhere in the mid-point between electronic, ambient and classical, composer Hinako Omori creates potent “therapeutic frequencies”. Deploying analogue synths and binaural sound, her second long-player is  an experimental and deeply enchanting patchwork

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 8 minute read

Gwenno: The Road To Kernow

‘Tresor’, the beguiling third album by Welsh artist Gwenno, is a love letter to the language and folklore of Cornwall. Celtic identity, embracing electronics and a mixing desk that once belonged to Martin Hannett all play their part in her colourful journey
LLong Reads
Read More
  • 11 minute read

Irmin Schmidt: About Schmidt

With the imminent release of a bumper box set of his solo work, one-time Can man Irmin Schmidt looks back over his illustrious career and talks about fleeing war-torn Berlin as a child, learning his trade under Stockhausen, and his sonic adventures in the worlds of classical music, experimental electronics, film soundtracks and fantasy operatics
LLong Reads
Read More
  • 10 minute read

Pepe Deluxé: Cabinet of Curiosities

A spectrogram-powered Russian synth, Tibetan drums made of human skulls, and the world’s largest cowbell are just some of the weird instruments that feature on the new album from Helsinki’s Pepe Deluxé. We lift the lid on their box of delights 
LLong Reads
Read More
  • 8 minute read

Das Koolies: Playing It Kool

As the future-facing Das Koolies, Super Furry Animals’ Huw Bunford, Cian Ciarán, Dafydd Ieuan and Guto Pryce explore a range of new sounds, concepts and artistic possibilities. Set the controls for a genre-bending vortex of electronic experimentalism
LLong Reads
Read More
  • 15 minute read

Independence Day

The first weekly Independent Chart was published on 19 January 1980. We talk to Cherry Red’s Iain McNay and Rough Trade’s Geoff Travis, the instigator and the catalyst, about how punk rock and a garden shed ignited the indie label revolution