Somewhere in the mid-point between electronic, ambient and classical, composer Hinako Omori creates potent “therapeutic frequencies”. Deploying analogue synths and binaural sound, her second long-player is  an experimental and deeply enchanting patchwork

With a new John Carpenter anthology featuring reworked versions of his most iconic and haunting themes, the celebrated horror director and composer reflects on his creepy “synth-noir” sound and a life well-lived

Shackleton’s stock has never been higher. In a rare interview, the sound designer and arch-collaborator opens up on his gloriously hypnotic new album,  a disorientating miasma of woozy hauntology and “cracked-mirror oddness”

Elizabeth Parker was a BBC Radiophonic Workshop mainstay and one of Britain’s most in-demand composers of TV and film soundtracks. A new compilation, ‘Future Perfect’, gathers together previously unheard pieces from her own private archive. Expect ghostly nuns and clunky scaffolding